Even more personal works, simon took his mixing of honesty and humor to new levels in the 1980s. Brighton beach Memoirs, the first in a trilogy (series of three works) of semiautobiographical (some-what based on his own life) plays, tells the story of a middle-class Jewish American teenager growing up in a troubled family. Biloxi Blues deals with the boy's coming of age and facing of anti-semitism (hatred of Jewish people) while in the army. Finally, broadway bound takes audiences into the boy's young adulthood, as he struggles to establish his career and sees the problems in his parents' tree relationship more clearly. Simon claimed that writing the play helped him address the problems he had with his own mother. When Simon's third marriage broke up, he wrote jake's Women, in which he introduces "ghosts"—good and bad experiences of two marriages and their effect on the third. He began the 1990s with Lost in Yonkers, a painfully funny story about the effect an abusive mother has on her grown children. The play was a success, and in 1991 it earned the pulitzer Prize for drama. Later years Simon's next work, laughter on the 23rd Floor, is a behind-the-scenes look at writing comedy by committee, as a group of men shout one-liners, each trying to top the other.
He presented works such. The last of the red Hot lovers, the story of a married man in a mid-life crisis who report has a series of affairs; The gingerbread Lady, in which a one-time singer, who is now an alcoholic, struggles to make a comeback; and. The Prisoner of Second avenue, which witnesses the nervous breakdown of a recently fired business executive. Simon continued to create characters who struggled to handle their feelings in difficult situations and who released tension with humor. He began to share more of himself and his life, including boyhood dreams of escaping from his family problems and the difficulty of coping with his wife's terminal illness. During this period he wrote. The sunshine boys, The good Doctor, california suite, and, chapter Two, whose main character, a widower, feels guilty over falling in love and remarrying, much as Simon had. He also wrote several screenplays, including. The goodbye girl, which was nominated (put forward for consideration) for an Academy Award in 1977.
Thereafter with, barefoot in the park, which ran on Broadway for four years. His third play, the Odd couple, introduced two famous characters, felix and Oscar, two men with failing marriages who move in together to save money and find that they have the same problems living with each other as they did with their wives. Simon's storylines usually presented conflicts between two people and were filled with funny one-liners. Simon admitted that he often used personal experiences or those of his friends for material. Come Blow your Horn was about two brothers who moved away from home and shared an apartment (just as Simon and his brother had barefoot in the park was the story of newlyweds adjusting to married life (similar to his own marriage and. The Odd couple, simon once commented, "The story happened to two guys i know—I couldn't write a play about Welsh miners.". The Odd couple had a two-year run on Broadway, won Simon his first Tony Award (an award given every year for achievement in the theater and was adapted to television and film several times. New approach to drama, in the 1970s Simon made an effort to add depth to his work by treating serious issues with comic touches.
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It was his brother who encouraged him to pursue writing while in the United States Army air Force reserve program. Simon also attended college at this time. His childhood love of comedy stuck, and his writing was inspired by the work of his favorite comics—Robert Benchley (18891945) and Ring Lardner (18851933). Writing for a living, after being discharged (let out) from the army, simon got a job in Warner Brothers' mailroom—thanks to his brother, who worked report in the publicity department. They began working together again, and from 1947 to 1956 they wrote comedy for television shows starring Jackie gleason (19161987) and Phil Silvers (19111985).
Simon continued writing comedy after his brother quit to become a television director, and his work appeared on some of television's top shows. The pleasure was fading, however, so he began writing plays in 1960. Simon's first play, come Blow your Horn, was a modest hit. It was followed shortly. Reproduced by permission of, ap/Wide world Photos.
As a director, his most recent works were an acclaimed staging of Albert Camus The Plague and a sensational new one-man re-telling of the legend of Medea ; as a performer, he most recent appearances have included a marathon six-hour reading of Oscar Wildes de profundis. In 2008 he was awarded an honorary doctorate by Brookes University Oxford in recognition of his body of work and of his pioneering and continuing commitment to gay culture and civil rights, and in 2012 he was awarded a second honorary doctorate by the University. World biography, sc-St, neil Simon biography, born: July 4, 1927. New York, new York, american playwright and writer, pulitzer Prize-winning playwright neil Simon is one of America's most productive and popular dramatists. His plays expose human weaknesses and make people laugh at themselves. Marvin neil Simon was born in the Bronx, in New York, on the fourth of July in 1927.
His father Irving, a garment salesman, disappeared from time to time, leaving his wife, mamie, to support their two sons by working at a department store and by relying on family and friends. After his parents divorced, simon lived with relatives in Forest Hills, new York. Simon received the nickname "Doc" as a child because he was always pretending to be a doctor, listening to people's heartbeats with a toy stethoscope (an instrument used to listen to sounds inside the body). He also loved comedy films and was often thrown out of movie theaters for laughing too loudly. Simon and his older brother Danny were very close. During their teens, they wrote and sold material to standup comedians and radio shows.
Neil young, collaborations - thrasher's Wheat
In addition, he invited emerging new companies such as Kneehigh and Frantic Assembly to share the paperless main stage with his own work. In recognition of this work at the lyric, he was awarded the. The transformation of the building was completed by a major rebuild of the front of house areas by architect Rick mather in 2004. Bartlett left the lyric in november 2005, bringing the curtain down with a suitably theatrical staging of Molieres Don juan. Since then, he has resumed his career as an independent theatre-maker and author, creating work with leading cultural producers such as the royal Shakespeare company, the American Repertory Theatre, the Abbey in Dublin, the Aldeburgh Festival, the Brighton Festival, the manchester International Festival, the Edinburgh International Festival. His plays, translations and adaptations are performed widely across the English-speaking world; his third novel, skin Lane, was shortlisted for the costa Award and his fourth, The disappearance boy, earnt him a nomination as Stonewall Author of the year in 2014. He has created several large-scale online and interactive projects, including Letter an Unknown Soldier ( 2014 a new war memorial created by twenty-two thousand members of the public and the then Prime minister.
The pieces also often featured unlikely and innovative casting, providing surprising new contexts for established mainstream performers such as Sheila hancock and Maggie steed as well as outsider artists and artistes such as Francois Testory, bette bourne and Regina fong. Throughout the 1980s and 1990s Bartlett was also busy as an activist, speaking at the. Sex and the State conference in Toronto in 1985, working behind the scenes on Londons first International aids day ( 1986 working on the campaign against Clause 28, and appearing at benefits and rallies everywhere from the piccadilly Theatre to Trafalgar Square, hyde park and the . he also created a series of short polemic television and video pieces(. Thats How Strong my love is, Thats What Friends Are for, now That Its Morning, pedagogue worked as an Artist In Residence at Newcastle polytechnic and published two acclaimed novels, the first of which, ready to catch Him Should he fall, was Capital gays book. Page, was nominated for the Whitbread prize in 1996. In 1994 he was controversially appointed Artistic Director of the lyric Hammersmith, with Simon Mellor as Chief Executive. Over a ten year period they transformed this previously run-down venue into one of the most respected theatres in London, combining an eclectic and consistently challenging programme with a radical pricing policy to slowly build a genuinely diverse audience. The range of his directing essay work at Hammersmith, which included popular Christmas shows and music-theatre as well as radically reconceived revivals ( notably of maugham, rattigan, Kleist, genet and Marivaux as well as of Dickens and Shakespeare) and collaborations with other leading theatre makers.
to original devised performance ( the queer history trilogy. A vision of love revealed in Sleep, sarrasine and, night After Night ). Throughout the work, there was a deliberate challenge to accepted divisions of genre between high and low, between radical and traditional theatrical practice. The pieces were often shown in the unlikeliest of venues; Sarrasine toured to the populist Edwardian splendours of the 1500-seat Blackpool Grand; the second version. Night After Night took musical comedy- complete with tap-dancing chorus boys and a technicolour dream ballet to the main stage of the notoriously literary and puritan. Royal court ; the queer autobiographical monologues. Seven Sacraments were performed first in a lecture theatre in the london Hospital, then in front of the high altar of southwark cathedral.
Consenting Adults in Public, helping to stage and tour add louise parker Kelleys. Anti body, the first play produced in Britain to address the aids crisis. He also created his first original theatre project, Dressing Up, a triptych depicting three centuries of Londons gay subculture, at Londons Cockpit his first collaboration with visual artist Robin Whoitmore. Other early works were staged at the ica, the Drill Hall and Battersea arts Centre, as well as touring to arts centres (and the occasional nightclub) across the country. More bigger Snacks Now, in 1985 he worked as a director for Theatre. Complicite, helping to create, more bigger Snacks Now, the show that won the company the perrier Award and first brought them to national attention. In 1988, he published his first book, who was That Man? A groundbreaking study of Oscar Wilde, and set up the collective company gloria, together with long-term colleagues producer Simon Mellor who was later to run the lyric Hammersmith with him composer Nicolas Bloomfield and choreographer leah hausman.
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1989 — american Comedy Awards Lifetime Achievement. 2006 — mark Twain Prize for American Humor. Neil Bartlett was born in 1958. He grew up in Chichester, west Sussex, and now lives in Worthing and London with his partner of review twenty-eight years, author and archivist James Gardiner. In 1982 he set up his first company, the theatrical collective. The 1982 theatre company ; other early work included street performances with Simon McBurney as part of the beechbuoys, a clown act influenced by the teaching of Phillipe gaulier. They appeared together at the first London International Festival of Theatre in 1981, and also (memorably) as support act to the goth band. Bauhaus at the hammersmith Palais. In 1983, bartlett worked as an administrator for gay community theatre company.