With a chronological biography and list of exhibitions. Text in English and French. Moderate rubbing and edgewear to improve wraps, ink mark to interior French flap of upper wrap, adhesive label residue to lower wrap. Item 88.00, add to cart, ask a question. See all items in, see all items by, jenny holzer. Jenny holzer's Maxims: As Pungent Today as Decades Ago artnet News. Opinion, the daily pic: At Alden Projects, holzer's early street texts voice anxieties that feel strangely familiar. Blake gopnik, february 13, 2017, the daily pic 1732 i dont usually pick exhibitions that have run their course, but Im breaking my rule to present these two early works.
Led signs have become her most visible medium, although her diverse practice incorporates a wide array of media including street posters, painted signs, stone benches, paintings, photographs, sound, video, projections, the Internet, and a race car for bmw. Text-based light projections have been central to holzers practice since 1996. As of 2010, her led signs have become more sculptural. Holzer is no longer the author of her texts, and in the ensuing years, she returned to her roots by painting. Holzer, jenny, bordeaux: capcMusée d'art contemporain de bordeaux, 2001. Folio, publisher's photo-illustrated stiff paper wraps. Capc musée d'art contemporain de bordeaux exhibition catalog for a show (June 1 - september 2, 2001) of work by feminist conceptual artist Holzer, known for her large-scale, text-based public installations. In addition to a suite of color plates and numerous black-and-white photos, the catalog reproduces the complete texts of 13 of Holzer's projects, including "Truisms "Inflammatory Essays "Mother and Child "War" and "OH." Essays by former capc director Henry-Claude cousseau, and art historian and exhibit.
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Blue light special of a different kind tells a good story m - july 20, 2005 Article with photos about Holzer's light projections in London Jenny holzer in the video data bank walleston, Amiee (April 20, 2009). "Now Showing jenny holzer". The new York times tmagazine. "Jenny holzer: protect protect". Whitney museum of American Art. March 12may 31, 2009. Zingmagazine Project "Declassified" curated by melanie flood in issue 20.
Jenny holzer (born assignment July 29, 1950, gallipolis, Ohio) is an American neo-conceptual artist, based in hoosick falls, new York. The main focus of her work is the delivery of words and ideas in public spaces. Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects. Her contemporaries include barbara Kruger, cindy Sherman, sarah Charlesworth, and louise lawler. The public dimension is integral to holzer's work. Her large-scale installations have included advertising billboards, projections on buildings and other architectural structures, and illuminated electronic displays.
M, tom Vanderbilt, january 14, 2005. "Now boarding: Destination, jfk". The Architects Newspaper, september 21, 2004. jenny holzer's For the city udo weilacher, In Gardens: Profiles of Contemporary european Landscape Architecture. 'for the capitol Illuminated Reflections on the potomac buchloh, benjamin.
To whom It may concern. Modern painters, november 2008. 1 res art World/World Art September 2009 External links biography, interviews, essays, artwork images and video clips from pbs series Art:21 - art in the Twenty-first Century - season 4 (2007). Jenny holzer Protect Protect Donna de salvo (curator at the Whitney museum ) discusses the protect protect exhibition on video. Chanel Thirteen (pbs, nyc) Sunday arts program. 6 and a half mins. Jenny holzer at Cheim read gallery, new York. Ground Zeros saving Grace metropolis Magazine - installation at 7 World Trade center Solomon. Guggenheim Museum installation Please Change beliefs Visitors to the website are allowed to evaluate and modify a selection of Holzer's Truisms.
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9 For the capitol (2007 nighttime projections of"s by Presidents John. Kennedy and Theodore roosevelt about the role of art and culture in American Society. Projected from the kennedy center for the performing Arts onto the potomac river and roosevelt Island in Washington. 10 Redaction paintings (2008 reproduced recently released declassified memos with much of the text blacked out by censors. "The works with declassified material are from my sometimes frantic (witness the number of paintings) worrying about the war and the attendant changes in American society. There is an unusually close connection between this artwork and my private politics, as there was with the lustmord pieces about genocidal rape in the former Yugoslavia, for example." 11"s "Expiring for love is beautiful but stupid." "The most profound things are inexpressible." "Lack. It's a way of having beauty let you come closer than you might otherwise." "The cruelest disappointment is when you let yourself down." "Stupid people shouldn't breed." see also detail of 7 wtc installation References m yvon Lambert Truisms Please Change beliefs Adaweb "twa terminal. Municipal Art Society new York, february good 9th, 2004. a b "a review of a show you cannot see".
In addition, the phrase "you are so complex, you don't respond to danger" is written on the cars sidepods. The plan car was withdrawn from the 1999 24 hours of le mans, but saw active competition for the 2000 Petit le mans, finishing fifth overall. Terminal 5 In 2004, the dormant saarinen-designed twa flight Center (now Jetblue t5) at John. Kennedy International Airport ( jfk ) briefly hosted an art exhibition called Terminal five, 5 curated by rachel. Ward 6 featuring the work of 18 artists. 7 Holzer's work displayed electronically on the terminals original departure-arrival board — holzer had wanted the work projected onto the building's exterior, but airport officials denied the request, noting they could interfere with runway operations. 6 For the city (2005 nighttime projections of declassified government documents on the exterior of New York University 's Bobst Library, and poetry on the exteriors of Rockefeller Center and the new York public Library in Manhattan 8 The Black garden of Nordhorn, the artist. Next to the existing monolithic monument, she designed a circular garden consisting of concentric rings of plantings and pathways.
Lambert Gallery. Works Truisms (1977) 2 is probably her most well-known work. Holzer has compiled a series of statements and aphorisms truisms and has publicised them in a variety of ways: listed on street posters, in telephone booths, and even, in 1982, on one of Times Square 's gigantic led billboards. Inflammatory Essays (197879 in which she brought texts influenced by Trotsky, hitler, mao, lenin, and Emma goldman onto the streets living Series (early 1980s using more monumental media such as bronze plaques and billboards Survival Series (19831985 with more militant aphorisms, including "Men Don't Protect. Installation for the guggenheim Museum Bilbao (1997) Permanent Installation, located off the main room of the guggenheim Bilbao, with tall led columns of text in English (red, on the front side) and Basque (blue, on the back side). Protect me from What i want, the 15th iteration of the famous bmw art Car Project. Painted on the bmw v12 lmr, the aforementioned refrain is written in metal foil, outlined with phosphorescent paint.
Originally utilizing street posters, led signs became her most visible medium, though her diverse practice incorporates a wide array of media including bronze plaques, painted signs, stone benches and footstools, stickers, t-shirts, condoms, paintings, photographs, sound, video, light projection and the. Jenny holzer wrote texts herself for a long time between 19However since 1993, she has been mainly working with texts written by resume others. Some of these are literary texts by great authors such as the polish Nobel laureate wislawa szymborska, henri. Cole (usa elfriede jelinek (Austria fadhil Al-azawi (Iraq yehuda Amichai (Israel) and Mahmoud Darwish (Palestine). She also uses texts from totally different contexts, for example passages from de-classified us army documents from the war in Iraq. For example, a large led work in the exhibition presents excerpts from the minutes of interrogations of American soldiers who had committed human rights violations and war crimes in Abu Ghraib. Here, what was once secret becomes public.
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From wikipedia, the free encyclopedia, installation in lobby at 7 wtc, jenny holzer (born 1950. Gallipolis, Ohio ) is an, american conceptual artist. She attended, ohio university (in. Athens, Ohio rhode Island School of, design, and the Independent Study Program at the. Whitney museum of American, art. Holzer was originally an abstract artist, focusing on painting and printmaking; after moving to, new York city in 1977, she began working with trunk text as art. She was an active member of the artist's group. The main focus of her work is the use of words and ideas in public space.